Owl and Bear writers’ favorite albums of 2008. Continue reading
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Review: San Diego Street Scene; September 19, 2008
San Diego’s annual Street Scene festival was truly a sight to behold. A large section of San Diego’s downtown and West Village was sectioned off and made home to four stages, forty bands, and thousands upon thousands of voracious music lovers. From bros rolling joints to cute hipster chicks with flasks taped to their thighs, the surroundings were cramped, but everyone was in such a good mood that no one seemed to mind the lack of breathing room.
San Diego Street Scene Releases Schedule
^^ TV On The Radio ^^
The showtimes for next week’s massive Street Scene festival have been released. People with great taste will have the agonizing task of choosing between staying at The New Pornographers’ show or defecting to TV On The Radio halfway through, and dance fans will have to choose between MGMT and Hot Chip, but for the most part things are spread out pretty well. The festivities start one week from today, so be sure to snatch up some tickets if you haven’t done so already.
Showtimes after the jump:
San Diego Street Scene Lookin’ Awfully Pretty
For the scant few who haven’t heard yet, San Diego’s annual Street Scene festival will once again be rearing its enormous head on September 19th and 20th.
The colossal all-ages event brings a whopping forty bands on four stages to downtown San Diego, including Beck, Spoon, TV On The Radio, MGMT, The New Pornographers, The National, Cold War Kids, Justice, X, and longtime Owl&Bear favorites/interviewees Man Man. And for anybody who feels overwhelmed by the sheer number of great bands performing and would like to introduce a little suckiness into their diet—and would like that suckiness to sound like Paul Simon vomiting—have no fear, because Vampire Weekend will also be performing.
Album Review: Scarlett Johansson – Anywhere I Lay My Head
I must admit that, like many, I approached the concept of a Scarlett Johansson album of Tom Waits covers as one might approach a dollar bill dangling from a shark’s mouth. I wanted to disregard it, pretend it didn’t exist, scoff at anyone so foolish as to go near it expecting anything but an unhappy ending.
But in the secret recesses of my mind, I quietly hoped that, despite the odds, the album could actually be good and not tarnish the name of Mr. Waits—my favorite musical artist and one of the most important contributors to the great sloshing pool of noise we call music. Having finally listened to the album in all its uneven glory, I can say that the actual product is more complicated than either of my divergent expectations could have anticipated.
It’s clear from the instrumental first track that ScarJo is not the one running this show. That credit belongs to David Sitek, the album’s producer (better known as the guitarist for TV On The Radio and producer for the Yeah Yeah Yeahs). Sitek infuses the album with that sleepy, sexy, post-modern urban ambiance that fans of TVOTR know quite well. But while TVOTR singer Tunde Adebimpe can turn a detached vocal delivery into a sharpened weapon, Johansson’s disembodied vocals sound more asleep-at-the-wheel than calm-and-cool, and it is this detachment that plagues the entire album, frequently dragging it through the mud just when it tries to soar.