Download: The Owl and Bear Podcast vol. 174: Best of ’12 Edition
Well, 2012 has come and gone, and with it new heights of political rancor, an adorably masochistic fiscal cliff, a near-apocalypse, and yet another Twilight movie. Continue reading…
Download: The Owl and Bear Podcast vol. 174: Best of ’12 Edition
Well, 2012 has come and gone, and with it new heights of political rancor, an adorably masochistic fiscal cliff, a near-apocalypse, and yet another Twilight movie. Continue reading…
San Diegans in this podcast:
The Burning of Rome
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In today’s fickle, post-Pitchfork world, each new band can start to feel like the latest chillwave flavor of the month. In the ambiguous sea of lo-fi turned glo-fi turned back to shoegaze whatever, it is important to give certain bands the distinction they deserve.
Phantogram duo Joshua Carter and Sarah Barthel are a reminder that, behind the indie genre’s similarities, there are subtle but important shifts in influences and backgrounds. Conceived on an isolated farm in Upstate New York, their debut album, Eyelid Movies, is the lovechild of 90’s hip-hop beats and urban dream-pop.
Phantogram have already passed through San Diego twice this year — the first time opening for The Antlers at the Casbah and, more recently, opening for The XX at House of Blues, and we can’t wait for them to come back. We spoke with Sarah Barthel after their House of Blues performance, and we also caught up with her later via email. Continue reading…
Let me paint a picture for you: it’s at Friday 7:10 a.m., you’re sleeping in your tent, face buried in an air mattress. The sun is screaming at you to wake up or suffocate. You went to bed three hours ago while hardcore techno music throbbed in the distance. You consumed about ten beers the day before — that’s a low ballpark estimate — and you’re already sweating profusely. You smell the way you feel. Continue reading