If Ralph Fiennes wants to show his acting chops in roles like Caius Martius Coriolanus and Charles Dickens, then audiences should consider themselves lucky that he has the resources to make the films himself. His sophomore directorial effort, The Invisible Woman, utilizes a more reserved approach than 2011’s Coriolanus that befits its Victorian setting. It also reveals a versatility of style that feels more sincere and natural than similar Hollywood fare. Continue reading…