There’s something cinematic about Holly Golightly and the Brokeoffs. It’s not just that her music was prominently featured in Jim Jarmusch’s Broken Flowers, or that the honey-voiced Golightly took her stage name from Audrey Hepburn’s character in Breakfast at Tiffany’s. There’s just something in the songs’ half country, half blues aesthetic that feels perfectly suited to scoring a movie. Continue reading…