Tag Archives: Dirty Projectors

Poetic Memory: Inspired and the Sleep (List)

MP3: Inspired and the Sleep – “Chops”

With bassist Max Greenhaulgh at the center of Inspired and the Sleep, rhythm and musicianship take first priority. The Carlsbad trio takes the indie aesthetic to an unexpected level by mixing dance elements with rock riffs and jazz-inspired twists and turns.

The band, originally Greenhaulgh’s project but now featuring Bryce Outcault on guitar and Hayden Stewart on drums, will celebrate the release of their debut EP, Kaleidoscope Years, at the Che Cafe on May 7.

In anticipation of the show, Greenhaulgh told us a little about his influences. Check out his Poetic Memory (below)…

Coachella 2010: An O&B How-To

As it does every year, the Coachella Music Festival is about to descend upon Indio, California. From April 16 – 18, the one-horse town will be transformed into an indie music mecca, with hipsters converging from far and wide to soak up the tunes and 115-degree heat.

Coachella can be a terrific time but also a taxing one, so you’ll want to get your mandatory three-day ticket’s worth. To help ensure that you don’t risk all that dehydration and sunstroke for nothing, your friendly neighborhood Owl and Bear have compiled a list of this year’s must-see bands. Continue reading

Owl and Bear’s Top Albums of 2009


Owl and Bear writers’ favorite albums of 2009. Continue reading

Review: Dirty Projectors – July 17, 2009 at The Earl; Atlanta

Dirty Projectors - July 9, 2009

I headed from my friend Andi’s pleasant apartment in East Atlanta to Flat Shoals for Thai before the show on a beautiful and surprisingly cool (for Atlanta) summer evening, so we walked around as long as possible, or so we thought. After they let us in, there was a long delay, which turned out to be because the The Dirty Projectors were still en route from Baton Rouge. Finally, Altas Sound opened the show with a five song set that surprised mainly because angel-voiced Bradford Cox (Deerhunter) added a band (three Selmanaires) two days before and they managed to crunch out a fine country-laced set, departing from Bradford’s more electronic Atlas Sound peregrinations. Listen to their set here. We both liked the effort, which I likened to country Radiohead and she compared to early Travis, if that tells you anything. These are definitely worth downloading, even if the band isn’t as polished as it will be by the time they tour in support of the forthcoming Logos EP. Bradford played with the confidence and panache of a salsa champion and the band couldn’t help but follow his lead, even if there was a misstep here and there. Continue reading