Category Archives: listen

Blake Miller to Release ‘Burn Tape’ April 21 (MP3s)

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We were right. After listening to 2006’s rough-but-really-good Together With Cats, we predicted that Blake Miller‘s sophomore effort would altogether astonish and impress. Okay, maybe we didn’t write those exact words, but that’s exactly what happened.

Frankly, we were a little concerned that Burn Tape wouldn’t happen at all. When Miller’s home-recorded debut Together With Cats came out back in late 2006, an insider at Exit Stencil Records promised a quick follow-up. You can imagine the surprise, then, when we received a smartly-packaged compact disc a distant 2.x years later. Continue reading

Bunny Gets an 8.9 (MP3)

redredmeat-bunnyRed Red Meat’s Bunny Gets Paid, easily one of my favorite albums ever, has been remastered and re-released by SubPop as a two-disc deluxe edition. Pitchfork recently reviewed the re-release and gave it a glorious 8.9. The deluxe edition contains a number of rarities, including a dub version of the song “Mouse,” as well as an early cover of Low’s “Words,” which some have said predicates the sound that Low would later adopt.

In other good news, Red Red Meat successor Califone is set to release a mysterious new album. With the release date, title, tracklist, and just about everything else still unknown, you should go buy Bunny. You won’t regret it.

With Bunny, all of a sudden Red Red Meat seemed artier, more hidden and inscrutable. Rutili has always spoken in riddles, content to braid together phrases or even single words that sound pleasing to the ear, but here the fragmentation became more extreme. Somehow, when the syllables pile up and the flow of vowels and consonants rides the arc of the music, the effect could be sublime. “Mink-eyed, marble-eyed/ In the gauze, in the weeds/ By the drain, red on pale/ There’s a nail by the vent,” goes the chorus of “Gauze”, Bunny Gets Paid’s stone classic and a contender for the best song Rutili has written. Who knows what it means. But if you can picture a scrubby patch of weeds and in it a clump of gauze, possibly soiled, twitching in the breeze, and the disconnected image of decay stirs something in you, you’re on your way to falling in love with Red Red Meat.

Here’s an MP3 of “Gauze”, courtesy of SubPop.

Marissa Nadler Announces Spring Tour (MP3)

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Though San Diego may not be getting any love from Marissa Nadler, it’s important news nonetheless: the singer/songwriter will tour in support of her acclaimed album Little Hells beginning April 7 in Los Angeles, and ending June 1 in Amsterdam. Fans of The Handsome Family‘s country-fried croonings will be pleased to know that the band will be joining Nadler for several of her US dates.

MP3 and tour dates after the jump. Continue reading

The Moviegoers Want You to Be a Man (MP3s)

The Moviegoers
Soulful San Diego cinephiles The Moviegoers have released a new digital EP, entitled Be a Man, and they’d like you to have it.

The three-song release takes some of the sweetest elements of the 90s—Pavement, The Breeders, Elliott Smith, Yo La Tengo—and fuses them into a deliciously caramelized rock and roll concoction. Clocking in at an all-too-brief 12 minutes, Be a Man is so heartfelt and catchy you may find yourself listening to it 10 times in a row. At least that’s what happened to us.

You can experience the sugary goodness by downloading the EP—miraculously free of charge. We dare you not to love it.

Review: Elvis Perkins in Dearland; March 15, 2009 at M-Theory Records; San Diego

There are worse fates than being compared to Jeff Mangum. As the frontman for Neutral Milk Hotel, Mangum spearheaded one of the most influential and revered bands in indie rock history, finally creating an album—1998’s In An Aeroplane Over The Sea—that was so perfectly realized even Mangum himself never dared attempt a follow up. So, nearly a decade later, after everyone had given up hope, a guy named Elvis Perkins quietly stepped up to the plate and did the job for him.

Perkins’ 2007 debut, Ash Wednesday, established him as a brilliant artist with a penchant for crafting songs of poignant sadness and profound beauty. The son of Anthony Perkins (Psycho‘s Norman Bates) and Berry Berenson, Perkins channeled his much-publicized real life tragedies into a soul-baring masterpiece of catharsis. For his newly-released sophomore album, he added a backing band and adopted the moniker Elvis Perkins In Dearland.

And somehow, local record shop M-Theory Music was able to lure the band into their store for an exclusive, free performance on a beautifully sunny San Diego afternoon.

Continue reading